![]() Margaret Drabble: DARWIN, Erasmus (1731-1802), educated at Cambridge. From The Oxford Companion to English Literature, ed. Ignoring cheap fictional violence and turning your attention elsewhere is a way of fighting a real evil resulting from violence, too- the evil of wasting our attention on the worst things and keeping it away from the best things.Ī Quiet Mind. And yet I think that violence, real or fictional, attracts much more attention than it deserves. There is no possible end to the debate on the artistic necessity of representing violence. Shouldn't our best attention be directed elsewhere, and cheap representation of gratuitious violence be discouraged (especially by intellectuals with a social responsibility) more systematically? Does the representation of violence act like an addiction for our attention? Does it engage far more attention than it's worth? Isn't the proliferation of scenes of violence in films and video games one of the lowest ways to engage and hook up attention (a kind of cheap pornography for the most part). El hijo del pintor īut there remains one highly significant issue for debate. Selections by Hans Peter Richter, Elie Wiesel, Yala Korwin, Issac Bashevis Singer, Eleanor Ayer, Ida. Chapter 1 introduces the reader to Charles Monet. The representation of violence is involved with the nature of society in ways which cannot be simplistified by a foregone solution.ĭownload your. Your point is well argued and at least partly right. 47 lrti nativite dessin shooting at usa flea market miami let it go b.
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